The Square Movie download from tubemate

The Square Movie download from tubemate

 

The Square  “How much inhumanity does it take before we access our humanity?” This is the tagline for a PR campaign aimed to promote an exhibit at an art museum in Stockholm, curated by Christian Juel Nielsen (Claes Bang). ‘The Square’ constantly begs this question from Christian’s perspective through the course of the film. When we first meet him, he’s dignified, calm and collected. A dramatic incident at the start of the film pushes him out of his comfort zone, and his manicured lifestyle begins to unwind. It’s near impossible to predict what will happen next, and yet it’s oddly mesmerising to witness Christian coming apart one crazy event after the next.

Director Ruben Östlund adopts an unusual style of filmmaking in ‘The Square’. There are shots where the camera lingers on, even if there are no characters in the frame. Sounds that aren’t exactly pleasing to the ear such as a crying baby throughout a scene, and others that typically would have been edited much shorter; all make the film an unnerving watch. Östlund immerses you into a unique world – one that is actually around us if we stopped to observe what’s under the surface, and beyond the sheen of our manufactured digital presence. In one memorable sequence, Terry Notary (otherwise known for his motion-capture work in ‘Rise of the Planet of the Apes’ & ‘Avatar’) plays a performance artist, Oleg, who is unleashed in a room of posh attendees at the museum. The scene begins as being cautiously comical but soon descends into a terrifying scenario where the cast is unsure of how to react. On the other side of the screen, we’re captivated by this scenario as it illustrates the ‘bystander effect’ – a phenomenon we’ve all succumbed to, at some point in our lives.

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In this manner, Östlund repeatedly picks apart our perception of class, race and self-righteousness. Along with Claes Bang, Elisabeth Moss, Dominic West and Terry Notary, he creates an uncomfortable experience on multiple levels, infused with dark comedy. Over the course of 2 hours 30 minutes, ‘The Square’ will either leave you wondering what you witnessed or question the principles you choose to live by. It’s disconcerting, and certainly not everyone’s cup of tea, but if you’re up for cinema that isn’t run-of-the-mill, ‘The Square’ is undoubtedly out-of-the-box.

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A federal agent and meteorologist team up to stop a daring heist in the US Department of the Treasury as a hurricane threatens to destroy the area

 As a category 5 hurricane looms over the sleepy town of Gulfport, Alabama, residents are compelled to evacuate the area by local authorities. Meteorologist Will Rutledge (Toby Kebbell), who has been sent to collect reports on the approaching storm, is trying to convince his brother Breeze (Ryan Kwanten) to leave town with him. On the other hand, Agent Casey (Maggie Grace), who is in charge of transporting old currency notes to the US Department of the Treasury, is unaware that there has been a massive internal security breach. Using the hurricane as an opportunity to break into the treasury is a team of crooks, led by Agent Perkins (Ralph Ineson). As circumstances bring Will and Casey together, they have to not only figure out ways to stop $600 million from being taken out of the facility, but also save their own lives as the hurricane unleashes its fury and the bad guys threaten to kill them.

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The script rarely gives you a moment to think beyond what you’re watching on screen. Director Rob Cohen does a good job of keeping the pace swift while most characters do justice to their roles. Grace stands out as the agent hell-bent on outwitting Perkins and his gang. Kebbell and Kwanten, as two brothers separated by a childhood tragedy, but still fond of each other, are interesting to watch as they rekindle their bond.

The action, though not outstanding, does its job while the special effects competently show the destruction the mighty hurricane is capable of. Thankfully, there is no forced romance between any of the characters — something that we’re often saddled with at the end in thriller flicks. Although predictable in some parts — the flashback at the start of the film in this case — you don’t mind overlooking it. Keeping in mind how several US states were in the news last year for being battered by a string of hurricanes, this film shows us just how devastating they can be. More than just a regular ‘save the earth’ film, this one combines an offbeat plot with some decent special effects to make it an interesting watch.

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Upcoming Bollywood Movies in 2018 download from tubemate

 Bollywood Movies in 2018 download from tubemate

 

2018has been a fabulous year with movies like Raees, Baahubali 2, Badrinath ki Dulhania, Hindi Medium, Toilet: Ek Prem Katha, Golmaal Returns and so on. The year 2018, is again going to offer rich content, phenomenal performances and we are totally prepared to revive ourselves with the Upcoming Bollywood Movies in 2018. 2018 awaited power-pact performances of stars like Rajnikanth, Kareena Kapoor Khan, Sonam Kapoor, Akshay Kumar, Ajay Devgan, Anushka Sharma, Aishwarya Rai Bachchan and Kangana Ranaut are also aready for grand start in year 2018. The upcoming Bollywood movies in 2018 will be full of action, drama, thriller, romance and comedy. Get your checklist ready with the upcoming Bollywood movies in 2018, so you never miss any movie.

List of Upcoming Bollywood (Hindi) Movies in 2018:
Here is the list of all upcoming Bollywood movies in 2018. Keep a check on the release dates of your favourite movies.

Upcoming Bollywood Movies in January 2018
2018 will be another year full of some amazing Bollywood movies to look out for. January will begin with Padman, 2.0, Aiyaary and possibly the most awaited Padmavati will also release without the "I" renamed as "Padmavat".

Padmaavat, Release Date: 25th January 2018
Padmaavat is an upcoming 2017 3D Indian epic drama film directed by Sanjay Leela Bhansali. The movie is based on the legend of Rani Padmini, a hindu legendary queen mentioned in Padmavat, an Avadhi language epic poem written by Sufi poet Malik Muhammad Jayasi in 1540. The film stars Deepika Padukone in title role, alongside Shahid Kapoor as Maharawal Ratan Singh , Ranveer Singh as Alauddin Khilji with Aditi Rao Hydari and Jim Sarbh in supporting roles. Watch out the trailer below.

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Aiyaary, Release Date: 9th February
Neeraj Pandey is coming with an interesting plot with Aiyaary, scheduled to have a Republic Day release on 9th February 2018. The movie has an usual cast staring Sidharth Malhotra, Manoj Bajpayee and popular South actress Rakul Preet Singh playing the female lead. The movie also stars Pooja Chopra, Naseeruddin Shah and Anupam Kher. The movie has been shot at the exotic and beautiful locations of Delhi, London, United States, Tamil Nadu, Bengaluru and Kashmir. Reportedly, the movie shall show the relationship between a mentor and his protege.
Padman, Release Date: 9th February 2018:
Padman is an upcoming Bollywood Movie which is a comedy drama movie directed by R.Balki starring Akshay Kumar, Sonam Kapoor and Radhika Apte in lead roles. Amitabh Bachchan will also appear in a special role. The film is based on Twinkle Khanna’s book, The Legend of Lakshmi Prasad, which is based on the life Tamil Nadu based social activist Arunachal Muruganantham, who was responsible for revolutionizing the concept of menstrual hygiene in rural India by creating a low-cost sanitary napkins machine. The film is ready to hit theatres on Republic Day.

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Sonu Ke Titu Ki Sweety, Release Date: 23rd February 2018
After giving us the much entertaining Pyaar Ka Pucnhnama series, Director Luv Ranjan is back with his favourate people in the town Kartik Aaryan, Nusrat Bharucha and Sunny Singh for Sonu ke Titu Ki Sweety. We are sure it is going to be hilarious entertainer same as the Pyaar Ka Punchnama series is popular for, as the movie is based on 'Bromance and Romance'. So head out to the theatres to decide whether you need 'Bromance or Romance'.
Pari, Release Date: 2nd March 2018:
Pari is an upcoming Bollywood mysterious love story movie directed by Prosit Roy. The film features Anushka Sharma, Parambrata Chatterjee and Gurmeet Chaudhary. The movie is set to release on 2nd March 2018. Watch the latest Pari Teaser release.

                          

3 Storeys, Release Date: 16th March, 2018
The Dyamic duo behind the flicks like Dil Chahta Hai, Don and Zindagi Na Milegi Dobara, yes we are talking about Ritesh Sidhwani and Farhan Akhtar they are back with yet another offering and this time a thriller Drama. 3 storeys starring Richa Chadha, Pulkit Samrat, Renuka Sahane and Sharman Joshi is a intigruing thriller based on three stories, every person has a story of his own but it can be simple, twisted, happy or sad… but fascinating as always.


Hichki : Release Date : 23rd March 2018

2017 has seen amazing Women oriented movies and Bollywood is looking at some more in the coming year with Hichki starting it off in February. This is a story about a women who empowers herself by turning her biggest weakness into her biggest strength. This is a Rani Mukerji come back and she looks more gorgeous than before. Rani Mukerji is known for the kind of movies she chooses and this one is also another a must watch. Let's look at its Trailer for now.
Hichki Trailer



Parmanu: The Story of Pokhran, Release Date: 6th April 2018:
Parmanu: The Story of Pokhran is an upcoming Bollywood movie based on nuclear bomb test explosions conducted by Indian Army at Pokhran in 1998. Movie features John Abraham and Diana Penty in lead role and actors like Boman Irani, Pavan Malhotra, Shaad Randhawa, Arjan Bajwa and Divya Dutta will play lead roles. Movie is directed by Abhishek Sharma.

Raid, Release Date: 16th March 2018:
Raid is an upcoming Bollywood movie directed by Raj Kumar Gupta. The movie stars Ajay Devgan and Ileana D Cruz in lead roles and actor Saurabh Shukla will play supporting role in the movie. Watch out for the Raid official trailer below.
Sanju – Sanjay Dutt Biopic : March 2018
‘Sanju’ is an upcoming biopic of the famous Bollywood actor Sanjay Dutt which shall portray all the important incidents of his life. The movie stars Ranbir Kapoor in the lead who shall be playing the role of Sanjay Dutt in the movie. After the look of Ranbir Kapoor as Sanjay Dutt was leaked, the excitement of the release of the movie has been equal among the media, critics and fans. The movie is scheduled to be released in March 2018.

Sanju

Ranbir Kapoor in Sanju BiopicPhoto Credit: IMDB
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Baaghi 2, Release Date: 30th March 2018:
Baaghi 2 is an upcoming Indian martial arts movie directed by Ahmed Khan and produced by Sajid Nadiadwala under the banners Nadiadwala Grandson Entertainment and Fox Star Studios. The movie features Tiger Shroff and Disha Patani in lead roles and actors like Prateik Babbar, Armaan Kohli, Manoj Bajpayee, Randeep Hooda and Vijay Raaz will also play important roles in this movie. It is also a to 2016 Bollywood movie Baaghi.



2.0, Release Date: 14th April 2018:
2.0 is an upcoming sci-fi action movie directed by S.Shankar. This is the first Indian movie that is directly shot in 3D. Movie is also a sequel to 2010 film Enthiran. The film has stars like Rajnikanth, Amy Jackson, Akshay Kumar and Adil Rashid. The most special thing about this movie is that Akshay Kumar will be seen in a super villain’s role.

Manikarnika: The Queen of Jhansi, Release Date: 27th April 2018:
Manikarnika: The Queen of Jhansi is an Indian epic biographical movie based on the life of Rani Laxmibai of Jhansi. Actress Kangana Ranaut will play the title role of Rani Laxmibai and actors Atul Kulkarni, Sonu Sood and Suresh Oberoi will play supporting roles in the movie. The movie is being directed by National Award Winning Director Krish.

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Kangna Ranaut in ManikarnikaPhoto Credit: IMDB
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Race 3, Release date: 4th May, 2018
After an explosive run of "Tiger Zinda Hai" at the Box office, Salman Khan is back with another big bang action thriller Race 3. Race 3 is the sequel to Race 2 and is the 3rd movie of the Race franchise and is definitely going to be the most exciting of them all after Sallu Bhai joined the franchise. Raving engines, some serious action, and blustery songs are everything you get on a huge scale in a Race movie and believe us you cannot ask for a better eidi this eid. The movie is directed by producer turned director Remo D'souza with Jacqueline Fernandez, Daisy Shah, Saqib Saleem and Bobby Deol also starring in the movie.
Veere Di Wedding, Release Date: 1st June 2018:
Veere Di Wedding is an upcoming 2018 Bollywood movie directed by Shashanka Ghosh and co-produced by Rhea Kapoor, Ekta Kapoor and Nikhil Dwivedi. The movie stars Kareena Kapoor Khan, Sonam Kapoor and Swara Bhaskar in lead roles. Watch out the Veere Di Wedding Official Trailer Below.

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Fanney Khan, Release Date: 15th June 2018:
Fanney Khan is an upcoming 2018 Bollywood musical comedy movie, directed by Atul Manjrekar. It features Anil Kapoor, Aishwarya Rai Bachchan and Rajkumar Rao in lead roles.

Gold, Release Date: 15th August 2018:

Gold is an upcoming 2018 Indian sports movie directed by Reema Kagti and produced by Ritesh Sidhwani and Farhan Akhtar under the Excel Entertainment banner. The movie is based on the life of Hockey player Balbir Singh, who was one of the member of the team that won the first Olympic medal for India as a free nation in 1948. The movie stars actor Akshay Kumar and Mouni Roy in lead roles and Kunal Kapoor and Nikita Dutta in supporting roles.

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While everyone continues to fixate on 2017’s ongoing awards season, we are already slowly but surely turning our attention to next year, and its enormous crop of great-looking debut films. As always, the biggest Hollywood offerings will involve heroic and/or wisecracking superheroes (of both a live-action and animated variety). Yet amid those comic-book extravaganzas, we’ll also receive exciting new works from some of world cinema’s most illustrious talents, including Steven Spielberg, Wes Anderson, Steve McQueen, Barry Jenkins, and Ava DuVernay. And then, of course, there’s Martin Scorsese’s gangster epic The Irishman—starring Robert De Niro, Al Pacino, Joe Pesci, and Harvey Keitel!—which, should it sneak into the end-of-year pack, might make 2018 truly unforgettable.
Mandy (premiering at Sundance)

Panos Cosmatos’ 2011 Beyond the Black Rainbow is one of the decade’s truly great genre films, a trippy sci-fi nightmare that has to be seen to be believed. For his long-awaited follow-up, the director is teaming with Nicolas Cage for this story of a 1983 man who embarks on a mission of revenge against the religious cult that murdered his wife. Sign. Us. Up.
Black Panther (Feb. 16)

Ahead of summer’s all-star Avengers blow-out, Marvel will first drop this Black Panther stand-alone adventure directed by Creed’s Ryan Coogler and starring Chadwick Boseman, Lupita Nyong’o, Michael B. Jordan, Danai Gurira, and Angela Bassett, among many others. Its great trailers suggest it may be the most daring effort from the superhero studio yet.
Annihilation (Feb. 23)

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Alex Garland (Ex Machina) wrote and directed this sci-fi-horror film about a biologist who ventures into an environmental disaster area to search for her missing husband. Early buzz is strong for this ambitious project—and with a cast that includes Natalie Portman, Jennifer Jason Leigh, Tessa Thompson, Gina Rodriguez, and Oscar Isaac, we understand why.
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A Wrinkle in Time (March 9)

Ava DuVernay (Selma) takes the reigns of this big-budget Disney fantasy film, an adaptation of Madeleine L’Engle’s book about a young girl, her brother, and her friend’s odyssey into space to find her father courtesy of three mystical figures. With Oprah Winfrey, Reese Witherspoon, Mindy Kaling, Chris Pine, Michael Pena, Gugu Mbatha-Raw, and Zach Galifianakis leading the charge, it seems primed for box-office triumph
Isle of Dogs (March 30)

Nine years after Fantastic Mr. Fox, Wes Anderson returns to stop-motion animation with this saga about a boy searching for his missing dog on a quarantined island populated by canines. As always, an all-star cast is along for the ride, and early glimpses suggest it could be one of the year’s most charming offerings.
Ready Player One (March 30)

Can Steven Spielberg turn terrible source material into great cinema? That’s the task he’s chosen by adapting Earnest Cline’s pop culture-obsessed book, which concerns a young kid (Tye Sheridan) going on a virtual reality treasure hunt—and which will no doubt be overflowing with shout-outs to your favorite fictional properties and characters.
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You Were Never Really Here (April 6)

Winner of the Best Screenplay and Best Actor awards at 2017’s Cannes Film Festival, this revenge thriller from writer/director Lynne Ramsay (We Need to Talk About Kevin) stars Joaquin Phoenix as a hired killer who unearths dark secrets while trying to save a girl from a life of prostitution. All the elements are in place for a top-rate genre effort.
Avengers: Infinity War (May 4)

Iron Man, Captain America, Spider-Man, and about 100 more of their super-powered friends team up to stop Josh Brolin’s villainous Thanos from wreaking apocalyptic destruction in this Marvel spectacular, which you will definitely see and probably love.
Solo: A Star Wars Story (May 25)
The cast of the Han Solo movie
StarWars.com   

Given that Lucasfilm fired its original directors (The Lego Movie’s Phil Lord and Christopher Miller) mid-production and replaced them with Ron Howard, this origin story for Han Solo (played by Alden Ehrenreich) is one of 2018’s biggest question marks. And, probably, also one of its biggest hits.
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Deadpool 2 (June 1)

Just on the basis of 2015’s R-rated original, we’re eager to see what’s next for Ryan Reynolds’ sarcastic Merc with a Mouth. The fact that he’ll now be paired with Josh Brolin’s time-traveling badass Cable—and that his sequel is being directed by Atomic Blonde’s David Leitch—only further enhances our anticipation.
Ocean’s Eight (June 8)

Playing the estranged brother of George Clooney’s Danny Ocean, Sandra Bullock assembles her own all-star thief team—including Cate Blanchett, Anne Hathaway, Mindy Kaling, Helena Bonham Carter, Sarah Paulson, and Rihanna (!)—to pull off a heist targeting Damian Lewis’ baddie in this A-list effort, which is being helmed by The Hunger Games’ Garry Ross
The Incredibles 2 (June 15)

Little is know about the plot of Pixar’s sequel to 2004’s beloved superhero adventure. But with original director Brad Bird (and the entire voice cast) once again on board, it’s definitely one of the few 2018 follow-ups we’re actively interested in seeing.
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Widows (Nov. 16)
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Steve McQueen’s last film (12 Years a Slave) won Best Picture at the Academy Awards; for his newest endeavor, he’s collaborating with Gone Girl author Gillian Flynn for a thriller about four women who decide to finish the heist that led to the deaths of their criminal husbands. If that weren’t enough, he’s assembled what’s arguably 2018’s best cast: Viola Davis, Elizabeth Debicki, Michelle Rodriguez, Cynthia Eviro, Colin Farrell, Daniel Kaluuya, Liam Neeson, Robert Duvall, Carrie Coon, Garret Dillahunt, Jacki Weaver, Brian Tyree Henry, and Jon Bernthal.
If Beale Street Could Talk (TBA)
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Barry Jenkins rose to the top of the cinematic food chain with 2016’s Moonlight, and his follow-up sounds like it’ll keep him there. Adapted from James Baldwin’s novel of the same name, it tells the story of a pregnant wife determined to prove that her husband has been falsely accused of rape before their child is born. Expect it to arrive in the fall, right in time for awards nominations.
Hold the Dark (TBA)
Broad Green Pictures   

Jeremy Saulnier (Green Room) is one of cinema’s up-and-coming greats, and he’s recently been tabbed to direct the forthcoming third season of HBO’s True Detective (starring Mahershala Ali). Before that, though, he’ll deliver this dark-sounding thriller with Jeffrey Wright, Riley Keough, and Alexander Skarsgard about a wolf expert asked to locate a missing boy in a remote Alaskan town where kids are being ravaged by wolves. We can’t wait.

And then for ten more must-see films:

Mission: Impossible 6 (July 27)

First Man (Oct. 12)

Halloween (Oct. 19)

Holmes & Watson (Nov. 9)

Backseat (TBA)

Destroyer (TBA)

The Man Who Killed Don Quixote (TBA)

The Old Man and the Gun (TBA)

Ad Astra (it’s scheduled for January 2019, but expect a Dec. 2018 limited release)

The Irishman (we hear 2019, but our fingers are crossed for a late 2018 awards-qualifying run)
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Bollywood Movies In 2018 dowmload from tubemate

Bollywood Movies In 2018 download from tubemate

We have had a lot of big releases in 2017 and still await some of the best of the year in the coming months. We witnessed the grandeur of films like Baahubali: The Conclusion and saw the fall of Tubelight, but next year promises even bigger films than this. We aren’t just talking about the production money or the star cast or the total collections it will make, we are talking about these things together, collectively. Whether or not these upcoming Hindi movies can turn the tides in Bollywood is something only time will tell, but that won’t stop fans from anticipating some of the best big-ticket films next year. Here we give you a rundown of upcoming Bollywood movies in 2018 to look forward to and enjoy with your movie people.

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1. Raazi

Release Date: 11 May 2018
Meghna Gulzar, who has made quite a buzz in the industry with films like Filhaal and Talvar is all ready to shoot her next directorial Raazi. This upcoming Bollywood movie will feature the much acclaimed Alia Bhatt who came up with Dear Zindagi and Badrinath Ki Dulhaniya this year paired up with the Masaan actor Vicky Kaushal. This upcoming Bollywood movie will be telling a story of a Kashmiri girl played by Alia married to a Pakistani Army officer played by Vicky, in order to spy for Indian intelligence with invaluable information during the 1971 Indo-Pak war. The movie is expected to release on 11 May 2018.

Upcoming Hindi Bollywood Movie Raazi
2. Parmanu

Release Date: 06 April 2018
Parmanu, the nuclear espionage drama will be directed by Abhishek Sharma and stars John Abraham, Diana Penty and Boman Irani in the main lead roles! The Story of Pokhran has created a lot of interest on social media when the makers released the first poster of the film. Parmanu is based on the nuclear test conducted in Pokhran (Rajasthan) in 1998. the movie will be released on 6th April, 2018.

Parmanu The Story of Pokhran Movie 2017
3. Padman

Release Date: 25 January 2018
This movie’s inspiration has been taken from the life of Coimbatore based Arunachalam Muruganantham, a normal man who found a way to make affordable sanitary napkins for women in his village. Written and directed by R Balki, the movie is based on a chapter from Twinkle’s book ‘The Legend Of Lakshmi Prasad’. The movie stars Akshay Kumar, Sonam Kapoor and Radhika Apte in the lead roles. The movie will go on floors on 25th January, 2018.

4. Chanda Mama Door Ke

Expected Release Date: December 2018
Sushant Singh Rajput is currently working for his upcoming sci-fi Hindi thriller, Chanda Mama Door Ke, where he will be playing an astronaut and is pretty excited about his films. Directed by Sanjay Puran Singh Chauhan, the film also stars Nawazuddin Siddiqui, R. Madhavan and Saif Ali khan. The upcoming Bollywood movie is slated to release on in the month of December and will be the first of it’s kind made in the industry.

Chanda Mama Dur Ke- Bookmyshow NewsSource: theindianexpress
5. Fanney Khan

Release Date: 15 June 2018
Fanney Khan is the official remake of Oscar nominated Dutch film from 2000, “Everybody’s Famous”! Fanney Khan is a musical comedy which features Anil Kapoor, Aishwarya Rai Bachchan and Rajkummar Rao in the lead roles. Earlier it was speculated that R. Madhavan was to play the lead role opposite Aishwarya, but he backed out later. Anil, who had last worked with the leading lady in Taal, will appear together on screen with her after a long break of 17 long years. The movie is expected to release on 15th June, 2018.

Fanney Khan- Bookmyshow News


6. Sonu Ke Titu Ki Sweety

Release Date: 23 February 2018
After getting out in the open about girlfriends and their tantrums in Pyaar Ka Punchnama series, the fantastic trio of Kartik Aaryan, director Luv Ranjan and Nushrat Bharucha along with Sunny Singh is going to light up the big screens with their upcoming release Sonu Ke Titu Ki Sweety. The team is back and has decalred a war between Bromance and Romance. This upcoming bollywood movie seems to be like the previous Pyaar Ka Punchnama  movies but is different in its own ways. Scheduled to release on February 09, 2018, the movie strikes all the right chords and is entertaining to the next level.

7. Pari

Release Date: 02 March 2018
Pari is a thriller drama starring Anushka Sharma and would be her third film as a producer after NH10 and Phillauri. She has collaborated with Bengali actor Parambrata Chatterjee and debutant director Prosit Roy. The movie is scheduled to release on March 02, 2018 and is much awaited by the audiences because of her much hyped wedding with Indian cricket team captain Virat Kohli.

8. Kaalakaandi

Release Date: 12 January 2018
Directed by Akshat Verma, of Delhi Belly fame, Kaalakaandi features Saif Ali Khan in the lead role and shows the city of mumbai with underworld goons, doomed bankers and idealistic lovers all closely knitted to each other. This dark comedy thriller is played out in 12 hours, with six characters from different worlds, from urban, ambitious upwardly mobile Bombay and its dark, neglected under-belly.

9. Aiyaary

Release Date: 16 February 2018
After coming out with movies like Rustom, Special 26, A Wednesday, M.S. Dhoni: The Untold Story, Baby and more, director Neeraj Pandey is all set to thrill the audiences with his latesy Aiyaary this month. Starring Siddharth Malhotra, Manoj Bajpayee and Naseeruddin Shah in the lead roles, the film is about what a soldier resorts to ultimately in the face of a crisis and is scheduled to release on February 16, 2018.


10. Veerey Ki Weddding

Release Date: 02 March 2018
This new bollywood movie revolves around the storyline of Veer Arora who is always keen on solving people’s problems until he faces a major problem in his own life of persuading his girlfriend Geet’s father’s consent to marry his daughter. The  movie has Pulkit Samrat, Kriti Kharbanda and Jimmy Shergill in the lead roles. The movie features some high on fashion punjabi and haryanvi songs and is releasing on March 02, 2018.

11. Raid

Release Date: 16 March 2018

This upcoming movie in march stars Ajay Devgn and Ileana D’cruz in lead roles. Directed by Raj Kumar Gupta, Raid movie revolves around the story of Pandey, an IT Commissioner of Lucknow who had raided the house of businessman Sardar Inder Singh in 1981 and recovered assets worth Rs 1.6 crore in cash and gold. The lead pair will be seen together after Milan Luthria’s Baadshaho and audiences are already loving this new pair!

12. Hichki

Release Date: 23 March 2018

This upcoming Hindi movie is directed by Siddharth P Malhotra and produced by Maneesh Sharma. The movie has Rani Mukherjee playing the role of Naina Mathur who has a nervous system disorder Tourette Syndrome, which forces an individual to make involuntary repetitive sounds or in our layman terms Hichki. The film focuses on her journey and how she overcomes her shortcoming while being a teacher in a primary school. The movie will release on 23 March.

13. Baaghi 2

Release Date: 30 March 2018

This latest installment of Ahmed Khan directorial action thriller Baaghi 2 will arrive at the theatres, all guns blazing, on March 30. With Disha Patani as the leading lady by his side this time, Tiger Shroff is seen in a power packed avatar and is even being called Bollywood’s very own Rambo for the role. This upcoming movie in March is eagerly awaited by the critics as well as audiences and will be produced by Sajid Nadiadwala.

14. Blackmail

Release Date: 6th April 2018

This new bollywood movie has Irrfan Khan, Kriti Kulhari and Arunoday Singh in the lead roles. Directed by Abhinav Deo, the movie’s trailer was recently released and has Irrfan running in shorts and piquing audience’s curiosity to the next level. This freaky comedy film will be released on April 06, 2018 and is going to be a sure shot winner at the box office because of the superb cast and Delhi Belly director.

15. Baazaar

Release Date: 27th April 2018

After Rangoon and Kaalakandi, Saif Ali Khan is coming back with a movie which has managed to pull the audience’s interest just after the first look. This upcoming hindi movie also has Chitrangada Singh and Radhika Apte in the lead roles. Directed by Gauravv K Chawla, ‘Baazaar’ revolves around Indian stock market and according to reports, is inspired by the 2013 film ‘The Wolf of Wall Street’.

Bazaar 2018

Check out this space to stay updated with more new bollywood movies lined next up!

The 15 Best Horror Movies of 2018 download from tubemate

 Best Horror Movies download from tubemate

So far, the best horror movies of 2017 have cut a wide chasm between extremes—between films that explore the limits of obscenity and the quietest of character musings, between well-tuned homages to old-fashioned thrillers and those that feel completely, breathlessly new. And yes, some of us have weathered Flying Lotus’s Kuso —if “weather” is even the right word to use in this case. Now in August, it’s clear that, however much we have and have yet to lament, 2017 is yielding plenty of great—maybe classic—films in a genre (or genre inherently open to a mash-up of genres) typically friendlier than most to giving a voice (and budget) to underrepresented filmmakers toiling at the fringes of the industry. In other words: Horror movie-making is important, now more than ever: Here are the best horror movies of 2017 so far. alien-covenant-poster.jpg 15. Alien: Covenant Director: Ridley Scott Alien: Covenant starts out mostly swimmingly as Scott guides his characters and the crowd into his film’s visual abattoir: The sheer volume of blood spilled here, CGI or not, can’t be overstated, so let’s be clear that Alien: Covenant isn’t for the faint of heart (though the faint of heart probably aren’t lining up to see this sucker anyways). Put as vaguely as possible to avoid spoiling its gruesome pleasures, let’s just say that things go into things, and that things come out of things, and also that these things are things that should neither go into nor come out of other things. This is precisely the draw of Alien movies from a visceral standpoint, of course, and as long as Scott melds paranoiac body horror and gun-toting action without drawing attention to backstory, the film works. It even has subtext. (You think you know someone until they unexpectedly vomit bile in your face. If that’s not a metaphor for modern political dialogue, then what is?) —Andy Crump girl-with-all-gifts-poster.jpg 14. The Girl With All the Gifts Director: Colm McCarthy M.R. Carey’s novel The Girl With All the Gifts plays coy with its zombie (or “hungries,” as they’re called here) trappings, drawing readers in for dozens of pages before revealing its flesh-eating premise. The film adaptation, released last year in the U.K. before making its U.S. debut in February, bares its teeth right away. If viewers aren’t burnt out on zombie offerings (and they shouldn’t be, with such recent standouts as 2016’s 
Korean hit Train to Busan proving that the genre has plenty of life left in it), they’ll find that The Girl With All the Gifts is less concerned with the initial overwhelming outbreak than with the moral lines survivors in the military and scientific community are willing to cross. Director Colm McCarthy, working from a screenplay by Carey himself, doesn’t skimp on the swarming carnage, often rendering attacks in brutal, fully lit scenes, but the most frightening tension comes from a menacing   
single-minded Glenn Close as a scientist with few scruples. Young actress Sennia Nanua as Melanie, the “hungry” most in control of her impulses, gives the crowded zombie genre one of its only truly heroic performances, enshrining The Girl With All the Gifts as the bloody heir to George Romero’s misunderstood-at-the-time classic Day of the Dead. —Steve Foxe life-movie-poster.jpg 13. Life  
Director: Daniel Espinosa Suppose you’re in Space. Go ahead, suppose it. Now suppose you’re on a Spacewalk, nothing between you and the infinite but a braided steel tether and the best Spacesuit human minds could fathom. Then something goes wrong. Your helmet starts filling up with liquid and you don’t know why. In Space, the liquid is everywhere, floating in your eyes, blinding you.
This actually happened to astronauts Chris Hadfield and Luca Parmitano, when emergency suit leaks almost caused disaster. They didn’t panic—but they’re not us. Life, a gripping space station horror movie somewhere between The Martian, Alien and Event Horizon, uses this scientific unfamiliarity to its terrifying advantage. There’s already so much extra to consider in Space, so much outside the layman’s understanding, that there’s also so much extra to fear. We’re afraid of things we can’t quite grasp, and in Space we’re sure of so little that, when done well, weightless—metaphorically and literally—events can feel like lead in our stomachs. And Life nails the fundamentals of that fear. It’s also just a generally beautiful movie whose visuals embrace both the wonders of technology and the intensity of isolation—not by, like Alfonso Cuarón does in Gravity, opening up to the cold loneliness of space, but instead by countering gorgeously rendered ISS shots with an Earthly backdrop. Daniel Espinosa emphasizes the responsibility placed on the space station by all of us here on the ground. Those astronauts are the best of us and, dammit, they’re not going to let us down. —Jacob Oller / Full Review the-void-movie-poster.jpg 12. The Void Directors: Steven Kostanski, Jeremy Gillespie

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Viewers should grade writer-directors Steven Kostanski and Jeremy Gillespie’s The Void on a curve: While the low-budget Canadian production earns an “A” for ambition, its mélange of The Thing-inspired body horror, ‘80s nostalgia and Lovecraftian cosmic terror doesn’t quite cohere into a satisfying whole by the time its chief antagonist peels away his skin to reveal a bodysuit that looks like Mighty Morphin Power Rangers’ Lord Zedd. The first half of the film demonstrates much more restraint, building tension as triangle-branded cultists isolate a mismatched group of (mostly) innocent people—led by Aaron Poole as an out-of-his-depth small-town cop—in a (mostly) vacant hospital. Kotanski and Gillespie build in too many potentially conflicting twists—who, exactly, is impregnated with what?—but the grotesque practical effects and descent-into-Hell structure at times pass for a solid Silent Hill adaptation. Some of horror’s most recent, popularly memorable features (say: It Follows, The Babadook) have wisely employed relatively narrow scopes. Instead, The Void attempts to push audiences into another dimension, but manages at least a few successful frights along the way. —Steve Foxe the-lure-poster.jpg 11. The Lure Director: Agnieszka Smoczynska In Filmmaker Magazine, director Agnieszka Smoczynska called The Lure a “coming-of-age story” born of her past as the child of a nightclub owner: “I grew up breathing this atmosphere.” What she means to say, I’m guessing, is that The Lure is an even more restlessly plotted Boyhood if the Texan movie rebooted The Little Mermaid as a murderous synth-rock opera. (OK, maybe it’s nothing like Boyhood.) Smoczynska’s film resurrects prototypical fairy tale romance and fantasy without any of the false notes associated with Hollywood’s “gritty” reboot culture. Poland, the 1980s and the development of its leading young women provide a multi-genre milieu in which the film’s cannibalistic mermaids can sing their sultry, often violently funny siren songs to their dark hearts’re content. While Ariel the mermaid Disney princess finds empathy with young girls who watch her struggle with feelings of longing and entrapment, The Lure’s flesh-hungry, viscous, scaly fish-people are a gross, haptic and ultimately effective metaphor for the maturation of this same audience. In the water, the pair are innocent to the ways of humans (adults), but on land develop slimes and odors unfamiliar to themselves and odd (yet strangely attractive) to their new companions. Reckoning with bodily change, especially when shoved into the sex industry like many immigrants to Poland during the collapse of that country’s communist regime in the late ’80s, the film combines the politics of the time with the sexual politics of a girl becoming a woman (of having her body politicized). And though The Lure may bite off more human neck than it can chew, especially during its music-less plot wanderings, it’s just so wonderfully consistent in its oddball vision you won’t be able to help but be drawn in by its mesmerizing thrall. —Jacob Oller / Full Review blackcoats-daughter-movie-poster.jpg 10. The Blackcoat’s Daughter Director: Osgood Perkins Looking at his first two horror features, it becomes clear that director Osgood Perkins seems to have a distinct distaste for both plot and film convention. His films defy easy description, as anyone who watched I Am the Pretty Thing That Lives in the House on Netflix could attest. The Blackcoat’s Daughter, meanwhile, was completed and exhibited as early as 2015 under the title February, but has been floating around in limbo ever since until A24 decided to finally give it a limited release this spring. Compared with Pretty Thing, Blackcoat’s Daughter is at least easier to grasp and marginally brisker, which makes it more effective overall. Perkins’ style is languid, atmospheric and deliberate, favoring repetition and a slowly multiplying sense of unease and impending doom. The story follows two high school-aged students who are both left relatively alone at their uptight Catholic boarding school over break when their parents fail to pick them up. As one descends into what is implied to be either madness or demonic possession, the events are interwoven with another story about a young woman journeying on the road in the direction of the boarding school.

The two stories inevitably intertwine. The film’s pace sometimes leaves something to be desired, but patience is largely repaid by its final third, which contains several moments genuinely disturbing in their violence and transgressive imagery. In the end, The Blackcoat’s Daughter comes together significantly more neatly and logically than one might consider while watching its first hour, rewarding careful attention to detail throughout. —Jim Vorel split-movie-poster.jpg 9. Split Director: M. Night Shyamalan Split is the film adaptation of M. Night Shyamalan’s misunderstanding of 30-year-old, since-discredited psychology textbooks on
Dissociative Identity Disorder, but if we deign to treat it with scientific scrutiny, we’ll be here all night. Suffice it to say, don’t go looking at anything in this film as psychologically valid in any way. But do go see Split, because it’s probably M. Night Shyamalan’s best film since Signs. Or maybe since Unbreakable, for that matter. And if there’s one way that Split reinvigorates Shyamalan’s stock most, it’s as a visual artist and writer-director of tension and thrilling action. The film looks spectacular, full of Hitchcockian homages that remind one of Vertigo and Psycho, to name only a few. It’s a far scarier, more suspenseful film in its high moments than Shyamalan’s last film, The Visit, ever attempted to be, and it may even be funnier as well, although these moments of levity are sown sparingly for maximum impact. Mike Gioulakis deserves major props for cinematography, but the other thing that will stick in my mind is the unexpectedly great sound design, full of rumbling, groaning metallic tones. After so many films that relied on the kind of overwrought twist ending that made The Sixth Sense so buzzy in 1999, it seems like Shyamalan has finally gotten over the hump to make the kinds of stories he makes best: atmospheric, suspenseful potboilers. Here’s hoping that this newfound streak of humility is here to stay. —Jim Vorel / Full Review transfiguration-movie-poster.jpg 8. The Transfiguration Director: Michael O’Shea Michael O’Shea’s The Transfiguration refreshingly refuses to disguise its influences and reference points, instead putting them all out there in the forefront for its audience’s edification, name-dropping a mouthful of noteworthy vampire films and sticking their very titles right smack dab in the midst of its mise en scène. They can’t be missed: Nosferatu is a big one, and so’s The Lost Boys, but none informs O’Shea’s film as much as Let the Right One In, Tomas Alfredson’s unique 2009 genre masterpiece. Like Let the Right One In, The Transfiguration casts a young’n, Milo (Eric Ruffin), as its protagonist, contrasting the horrible particulars of a vampire’s feeding habits against the surface innocence of his appearance. Unlike Let the Right One In, The Transfiguration may not be a vampire movie at all, but a movie about a lonesome kid with an unhealthy fixation on gothic legends. You may choose to view Milo as O’Shea’s modernized update of the iconic monster or a child brimming with inner evil; the film keeps its ends open, its truths veiled and only makes its sociopolitical allegories plain in its final, haunting images. —Andy Crump we-are-the-flesh-movie-poster.jpg 7. We Are the Flesh Director: Emiliano Rocha Minter Emiliano Rocha Minter’s death-gurgle provocation We Are the Flesh is successful because it provokes not for the sake of provoking, but to an end. The list of would-be shockers lurking at the edges of horror history is long: A Serbian Film, August Underground, Martyrs, all the way back to Cannibal Holocaust and Nekromantik. Few of these movies have a purpose beyond revulsion— which, look, is totally useful in its own right—and We Are the Flesh takes its sweet time getting to its point, wallowing in the kind of fluid-soaked, perverse murder-fucking that fills Georges Bataille’s transgressive literature staple Story of the Eye. Not coincidentally, Bataille, along with Andrzej ?u?awski, gets a shoutout in the film’s credits, offering a window into Minter’s politically agitated thematic preoccupations. The unsimulated sex, the full-view throat-slittings, the only close-up in cinema history of a scrotum gently contracting—these images are wielded to enrage as much as to disgust, and even if you don’t buy into the undercurrents, We Are the Flesh’s furious obscenity is galvanizing on its own. At a tight 79 minutes it immediately abandons you in its vaguely defined, possibly post-apocalyptic world and doesn’t let up until all is over, climaxing with a scene which echoes Lucile Hadzihalilovic’s beguiling 2015 Evolution (or, um…The Village) in its abrupt reorientation of everything you’ve just seen. Immerse yourself in filth. —Zach Budgor a-dark-song-movie-poster.jpg 6. A Dark Song Director: Liam Gavin In Liam Gavin’s black magic genre oddity, Sophia (Catherine Walker), a grief-stricken mother, and the schlubby, no-nonsense occultist (Steve Oram) she hires devote themselves to a long, meticulous, painstaking ritual in order to (they hope) communicate with her dead son. Gavin lays out the ritual specifically and physically—over the course of months of isolation, Sophia undergoes tests of endurance and humiliation, never quite sure if she’s participating in an elaborate hoax or if she can take her spiritual guide seriously when he promises her he’s succeeded in the past. Paced to near perfection, A Dark Song is ostensibly a horror film but operates as a dread-laden procedural, mounting tension while translating the process of bereavement as patient, excruciating manual labor. In the end, something definitely happens, but its implications are so steeped in the blurry lines between Christianity and the occult that I still wonder what kind of alternate realms of existence Gavin is getting at. But A Dark Song thrives in that uncertainty, feeding off of monotony. Sophia may hear phantasmagorical noise coming from beneath the floorboards, but then substantial spans of time pass without anything else happening, and we begin to question, as she does, whether it was something she did wrong (maybe, when tasked with not moving from inside a small chalk circle for days at a time, she screwed up that portion of the ritual by allowing her urine to dribble outside of the boundary) or whether her grief has blinded her to an expensive con. Regardless, that “not knowing” is the scary stuff of everyday life, and by portraying Sophia’s profound emotional journey as a humdrum trial of physical mettle, Gavin reveals just how much pointless, even terrifying work it can be anymore to not only live the most ordinary of days, but to make it to the next. —Dom Sinacola raw-movie-poster.jpg 5. Raw Director: Julia Ducournou If you’re the proud owner of a twisted sense of humor, you might tell your friends that Julia Ducournau’s Raw as a coming of age movie in a bid to trick them into seeing it. Yes, the film’s protagonist, naive incoming college student Justine (Garance Marillier), comes of age over the course of its running time; she parties, she breaks out of her shell, and she learns about who she really is as a person on the verge of adulthood. But most kids who come of age in the movies don’t realize that they’ve spent their lives unwittingly suppressing an innate, nigh-insatiable need to consume raw meat. “Hey,” you’re thinking, “that’s the name of the movie!” You’re right! It is! Allow Ducournau her cheekiness. More than a wink and nod to the picture’s visceral particulars, Raw is an open concession to the harrowing quality of Justine’s grim blossoming. Nasty as the film gets, and it does indeed get nasty, the harshest sensations Ducournau articulates here tend to be the ones we can’t detect by merely looking: Fear of feminine sexuality, family legacies, popularity politics, and uncertainty of self govern Raw’s horrors as much as exposed and bloody flesh. It’s a gorefest that offers no apologies and plenty more to chew on than its effects. —Andy Crump / Full Review (for a slightly different take on the film) prevenge-movie-jpg 4. Prevenge Director: Alice Lowe Maybe getting close enough to gut a person when you’re seven months pregnant is a cinch—no one likely expects an expecting mother to cut their throat—but all the positive encouragement Ruth’s (Alice Lowe) unborn daughter gives her helps, too. The kid spends the film spurring her mother to slaughter seemingly innocent people from in utero, an invisible voice of incipient malevolence sporting a high-pitched giggle that’ll make your skin crawl. “Pregnant lady goes on a slashing spree at the behest of her gestating child” sounds like a perfectly daffy twist on one of the horror genre’s most enduring contemporary niches on paper. In practice it’s not quite so daffy, more somber than it is silly, but the bleak tone suits what writer, director, and star Lowe wants to achieve with her filmmaking debut. Another storyteller might have designed Prevenge as a more comically-slanted effort, but Lowe has sculpted it to smash taboos and social norms. Because Prevenge hates human beings with a disturbing passion—even human beings who aren’t selfish, awful, creepy or worse—in it, child-rearing is a form of real-life body horror that’s as smartly crafted and grimly funny as it is terrifying. —Andy Crump / Full Review it-comes-at-night-poster.jpg 3. It Comes at Night Director: Trey Edward Shults It Comes at Night is ostensibly a horror movie, moreso than Shults’s debut, Krisha, but even Krisha was more of a horror movie than most measured family dramas typically are. Perhaps knowing this, Shults calls It Comes at Night an atypical horror movie, but—it’s already obvious after only two of these—Shults makes horror movies to the extent that everything in them is laced with dread, and every situation suffocated with inevitability. For his sophomore film, adorned with a much larger budget than Krisha and cast with some real indie star power compared to his previous cast (of family members doing him a solid), Shults imagines a near future as could be expected from a somber flick like this. A “sickness” has ravaged the world and survival is all that matters for those still left. In order to keep their shit together enough to keep living, the small group of people in Shults’s film have to accept the same things the audience does: That important characters will die, tragedy will happen and the horror of life is about the pointlessness of resisting the tide of either. So it makes sense that It Comes at Night is such an open wound of a watch, pained with regret and loss and the mundane ache of simply existing: It’s trauma as tone poem, bittersweet down to its bones, a triumph of empathetic, soul-shaking movie-making. —Dom Sinacola / Full Review personal-shopper-poster.jpg 2. Personal Shopper Director: Olivier Assayas The pieces don’t all fit in Personal Shopper, but that’s much of the fun of writer-director Olivier Assayas’s enigmatic tale of Maureen (Kristen Stewart, a wonderfully unfathomable presence), who may be in contact with her dead twin brother. Or maybe she’s being stalked by an unseen assailant. Or maybe it’s both. To attempt to explain the direction Personal Shopper takes is merely to regurgitate plot points that don’t sound like they belong in the same film. But Assayas is working on a deeper, more metaphorical level, abandoning strict narrative cause-and-effect logic to give us fragments of Maureen’s life refracted through conflicting experiences. Nothing happens in this film as a direct result of what came before, which explains why a sudden appearance of suggestive, potentially dangerous text messages could be interpreted as a literal threat, or as some strange cosmic manifestation of other, subtler anxieties. Personal Shopper encourages a sense of play, moving from moody ghost story to tense thriller to (out of the blue) erotic character study. But that genre-hopping (not to mention the movie’s willfully inscrutable design) is Assayas’s way of bringing a lighthearted approach to serious questions about grieving and disillusionment. The juxtaposition isn’t jarring or glib—if anything, Personal Shopper is all the more entrancing because it won’t sit still, never letting us be comfortable in its shifting narrative. —Tim Grierson / Full Review get-out-poster.jpg 1. Get Out Director: Jordan Peele Peele’s a natural behind the camera, but Get Out benefits most from its deceptively trim premise, a simplicity which belies rich thematic depth. Chris (Daniel Kaluuya) and Rose (Allison Williams) go to spend a weekend with her folks in their lavish upstate New York mansion, where they’re throwing the annual Armitage bash with all their friends in attendance. Chris immediately feels out of place; events escalate from there, taking the narrative in a ghastly direction that ultimately ties back to the unsettling sensation of being the “other” in a room full of people who aren’t like you—and never let you forget it. Put indelicately, Get Out is about being black and surrounded by whites who squeeze your biceps without asking, who fetishize you to your face, who analyze your blackness as if it’s a fashion trend. At best Chris’s ordeal is bizarre and dizzying, the kind of thing he might bitterly chuckle about in retrospect. At worst it’s a setup for such macabre developments as are found in the domain of horror. That’s the finest of lines Peele and Get Out walk without stumbling.

Best Hollywood Movies of 2017

Best Hollywood Movies of 2017 uc mini

 Wind River (2017) R | 107 min | Crime, Drama, Mystery 7.8 Rate this 73 Metascore A veteran tracker with the Fish and Wildlife Service helps to investigate the murder of a young Native American woman, and uses the case as a means of seeking redemption for an earlier act of irresponsibility which ended in tragedy. Director: Taylor Sheridan | Stars: Kelsey Asbille, Jeremy Renner, Julia Jones, Teo Briones Votes: 108,327 | Gross: $33.80M 'Wind River' is a refreshingly complex yet cleverly woven thriller that combines its factors to serve a very compelling film. Logan 2. Logan (2017) R | 137 min | Action, Drama, Sci-Fi 8.1 Rate this 77 Metascore In the near future, a weary Logan cares for an ailing Professor X, somewhere on the Mexican border. However, Logan's attempts to hide from the world, and his legacy, are upended when a young mutant arrives, pursued by dark forces. Director: James Mangold | Stars: Hugh Jackman, Patrick Stewart, Dafne Keen, Boyd Holbrook Votes: 460,145 | Gross: $226.28M ‘Logan’ is a brutal, merciless, emotional and honest film that does justice to both the character and Hugh Jackman by stepping away from the superhero norm and offering a personal and emotionally fueled outing that certainly brings the violence and delivers one of the best comic-book films I've seen. Coco

Hollywood Movies free download from vidmate

 Coco (I) (2017) PG | 105 min | Animation, Adventure, Comedy 8.5 Rate this 81 Metascore Aspiring musician Miguel, confronted with his family's ancestral ban on music, enters the Land of the Dead to find his great-great-grandfather, a legendary singer. Directors: Lee Unkrich, Adrian Molina | Stars: Anthony Gonzalez, Gael García Bernal, Benjamin Bratt, Alanna Ubach Votes: 130,077 | Gross: $208.87M Get Showtimes In 1 theater near Mumbai MH IN [change] 'Coco' is a timeless instant classic that is effortlessly charming, brilliantly paced and beautifully crafted. The Meyerowitz Stories (New and Selected) 4. The Meyerowitz Stories (New and Selected) (2017) TV-MA | 112 min | Comedy, Drama 7.0 Rate this 79 Metascore An estranged family gathers together in New York for an event celebrating the artistic work of their father. Director: Noah Baumbach | Stars: Adam Sandler, Grace Van Patten, Dustin Hoffman, Elizabeth Marvel Votes: 21,255 'The Meyerowitz Stories (New and Selected)' is a charming and outstanding family tale that deserves a watch thanks to its wonderful script, enticing characters, and superb acting, make it one of the best films of the year. Thor: Ragnarok 5. Thor: Ragnarok (2017) PG-13 | 130 min | Action, Adventure, Comedy 8.0 Rate this 74 Metascore Thor is imprisoned on the other side of the universe and finds himself in a race against time to get back to Asgard to stop Ragnarok, the destruction of his homeworld and the end of ... See full summary » Director: Taika Waititi | Stars: Chris Hemsworth, Tom Hiddleston, Cate Blanchett, Mark Ruffalo Votes: 270,254 | Gross: $315.04M 'Thor: Ragnarok' is a wild and wacky intergalactic popcorn-blockbuster that is brimming with fun, personality and action. Baby Driver 6. Baby Driver (2017) R | 112 min | Action, Crime, Music 7.7 Rate this 86 Metascore After being coerced into working for a crime boss, a young getaway driver finds himself taking part in a heist doomed to fail. Director: Edgar Wright | Stars: Ansel Elgort, Jon Bernthal, Jon Hamm, Eiza González Votes: 278,161 | Gross: $107.83M ‘Baby Driver’ is an utterly engrossing high-octane action comedy that delivers on its promise of being stylish and fun. Dunkirk 7. Dunkirk (2017) PG-13 | 106 min | Action, Drama, History 8.0 Rate this 94 Metascore Allied soldiers from Belgium, the British Empire and France are surrounded by the German Army, and evacuated during a fierce battle in World War II. Director: Christopher Nolan | Stars: Fionn Whitehead, Barry Keoghan, Mark Rylance, Tom Hardy Votes: 365,670 | Gross: $188.37M 'Dunkirk' is yet another visual masterpiece from mastermind Christopher Nolan who stuns again with his remarkable cinematography and earnest writing. A must watch in IMAX! The Big Sick 8. The Big Sick (2017) R | 120 min | Comedy, Drama, Romance 7.6 Rate this 86 Metascore Pakistan-born comedian Kumail Nanjiani and grad student Emily Gardner fall in love but struggle as their cultures clash. When Emily contracts a mysterious illness, Kumail finds himself forced to face her feisty parents, his family's expectations, and his true feelings. Director: Michael Showalter | Stars: Kumail Nanjiani, Zoe Kazan, Holly Hunter, Ray Romano Votes: 77,907 | Gross: $42.87M Watch Now With Prime Video ‘The Big Sick’ is an enjoyable and poignant romantic comedy that highly engrosses and emotionally resonates. American Made 9. American Made (2017) R | 115 min | Action, Biography, Comedy 7.2 Rate this 65 Metascore The story of Barry Seal, an American pilot who became a drug-runner for the CIA in the 1980s in a clandestine operation that would be exposed as the Iran-Contra Affair. Director: Doug Liman | Stars: Tom Cruise, Domhnall Gleeson, Sarah Wright, Jesse Plemons Votes: 89,338 | Gross: $51.34M ‘American Made’ is a thrilling roller-coaster ride of action, comedy & drama making it yet another awesomely fun addition to Cruise's filmography. Logan Lucky 10. Logan Lucky (2017) PG-13 | 118 min | Comedy, Crime, Drama 7.1 Rate this 78 Metascore Two brothers attempt to pull off a heist during a NASCAR race in North Carolina. Director: Steven Soderbergh | Stars: Channing Tatum, Adam Driver, Daniel Craig, Farrah Mackenzie Votes: 72,690 | Gross: $27.78M ‘Logan Lucky’ is a very entertaining heist adventure, with sharp visuals, great characters and a quirky and off-kilter sense of humor, this one is easily one of my favorite films of the year. Blade Runner 2049 11. Blade Runner 2049 (2017) R | 164 min | Drama, Mystery, Sci-Fi 8.1 Rate this 81 Metascore A young blade runner's discovery of a long-buried secret leads him to track down former blade runner Rick Deckard, who's been missing for thirty years. Director: Denis Villeneuve | Stars: Harrison Ford, Ryan Gosling, Ana de Armas, Dave Bautista Votes: 263,074 | Gross: $92.05M ‘Blade Runner 2049’ is a gorgeous, compelling and brilliant sci-fi sequel that does the rare honor of being better than the original. Free Fire 12. Free Fire (2016) R | 91 min | Action, Comedy, Crime 6.4 Rate this 63 Metascore Set in Boston in 1978, a meeting in a deserted warehouse between two gangs turns into a shootout and a game of survival. Director: Ben Wheatley | Stars: Sharlto Copley, Brie Larson, Armie Hammer, Cillian Murphy Votes: 29,043 | Gross: $1.80M ‘Free Fire’ is definitely one of the most consistently entertaining films that is wholly unpretentious, hilarious and definitely worth a watch on the big screen. It 13. It (I) (2017) R | 135 min | Drama, Horror, Thriller 7.5 Rate this 69 Metascore In the summer of 1989, a group of bullied kids band together to destroy a shapeshifting monster, which disguises itself as a clown and preys on the children of Derry, their small Maine town. Director: Andy Muschietti | Stars: Bill Skarsgård, Jaeden Lieberher, Finn Wolfhard, Sophia Lillis Votes: 255,969 | Gross: $327.48M 'It' is a well-crafted and a well-acted adaption of a story that beautifully blends humor and horror. Annabelle: Creation 14. Annabelle: Creation (2017) R | 109 min | Horror, Mystery, Thriller 6.6 Rate this 62 Metascore 12 years after the tragic death of their little girl, a dollmaker and his wife welcome a nun and several girls from a shuttered orphanage into their home, where they soon become the target of the dollmaker's possessed creation, Annabelle. Director: David F. Sandberg | Stars: Anthony LaPaglia, Samara Lee, Miranda Otto, Brad Greenquist Votes: 65,813 | Gross: $102.09M 'Annabelle: Creation' is a surprisingly solid and wickedly terrifying film that provides legitimate creeps and shrieks.